Self (1-year)

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Self (1-year)

from: Conde' Nast Publications




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Availability: Usually ships in 1 to 3 months

List Price: $47.88
Your Price: $12.00
You Save: $35.88 (75%)
Prices subject to change.

Average Rating:  out of 5 stars
Sales Rank: 32







Binding: Magazine
First Issue Lead Time: 6-10 weeks
Format: Magazine Subscription, Print
Issues Per Year: 12
Label: Conde' Nast Publications
Magazine Type: Consumer magazine
Manufacturer: Conde' Nast Publications
Number Of Issues: 12
Publisher: Conde' Nast Publications
Sales Rank: 32
Studio: Conde' Nast Publications
Subscription Length: 365 days




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Editorial Review:

Product Description:
Self is devoted to all women who want to discover the secrets of living better by maximizing their fitness, health, nutrition, personal happiness, beauty, and style. Every issue provides new ideas and plans to jump-start or maintain personal development, nutrition, and fitness goals, plus the latest news and breakthroughs in health and well-being.

Amazon.com Review:

Editorial Reviews

Who Reads SELF?
SELF is a motivating monthly self-help manual that gives its 5 million readers the tools and inspiration they need to feel, look and be their very best. Our readers are women looking to slim down, firm up, feel stronger and more energetic or all of the above. They come to SELF for advice on fitness, healthy eating, beauty, fashion, health, relationships, time management and finances. The magazine attends to the reader's need to look fantastic, but also to live a truly healthy life. SELF's voice is of the reader's smartest, most encouraging friend, urging her to be herself, only better.

What You Can Expect in Each Issue:
Regular sections of SELF include:

  • 15 Minutes to Your Best Self: Timesaving tips
  • Beauty Update and Fitness Update
  • Body Bonus: Tear-out fitness cards
  • Style it Yourself and Style Solutions
  • Eat-right Update and Eat-right Need-to-Know
  • Health Plate: Recipes
  • Health Update and Health Q&A
  • Health True Story
  • Happiness Update and Sex Update
  • Plus Flash news columns throughout the magazine.
Feature Articles: SELF offers features on beauty, fitness, health, style, happiness and more in every issue, as well as thought-provoking personal essays. A recent issue featured 'Walk Your Way Slim,' 'Green Your Beauty Routine,' 'Natural Cures that Work,' and 'The Disorder Next Door,' a special report on disordered eating habits. Also in the issue: A profile of actress and cover model Jennifer Garner.

Past Issues:

Contributors:
SELF relies on a team of diligent reporters and researchers to bring women the latest news on health, fitness, happiness and more. The magazine's regular columnists include nutrition expert Joy Bauer, R.D., women's health columnist Lisa Callahan, M.D., psychiatrist and happiness columnist Catherine Birndorf, M.D. and fitness director Meaghan Buchan, a certified trainer.

Magazine Layout
SELF's design is clean and impactful, its models happy, confident and relaxed. Reading SELF, you will always find visual 'aaah' moments, as well as breathtaking, inspirational photos and humorous and thought-provoking images.

Comparisons to Other Magazines
Many magazines focus on health and fitness, but SELF does so in the most authoritative and sophisticated way. SELF is the only magazine with a regular 'happiness' column, and that upbeat, encouraging mood permeats the magazine. SELF is the trainer you want to hug at the end of a session--not the boot-camp instructor. It's the magazine that feels like a friend, and the one you want to share with your friends.

Advertising
SELF carries a wide range of advertising, from beauty to automotive to packaged goods. The ad/edit ratio is 50/50. SELF’s top five ad categories are beauty, food/beverages, travel/transportation (including automotive), health/remedies and retail.

Awards
SELF has won dozens of awards for its reporting on health, beauty and psychology topics and has been nominated for a total of 11 National Magazine Awards, the magazine industry's highest honor. The magazine's 2006 Breast Cancer Handbook won the National Magazine Award for Public Service.

More About SELF:
SELF is the founder of the Pink Ribbon for breast cancer awareness and publishes its Women's Cancer Handbook in the October issue. SELF also hosts the SELF Challenge, a remarkably effective three-month fitness and healthy eating program in the magazine and online at Self.com. More than a million women have used the Challenge to slim down, shape up and feel fantastic.





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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Self
This is a magazine that everyone can read, and either enjoy or lean something in.......a very worth while purchase.......you can read it anywhere.....articles are short & sweet--to the point....a real bonus for us working people.......men can even read it.....



Rating: 3 out of 5 stars - A bit droll
* Honestly, I've read many womens' magazines, but was never enticed by \"Self\" for some reason. It seems like a magazine that is for women obsessed by workouts and fitness, but at the same time, it also features other mostly below average articles you would expect to find in other womens' magazines, articles that are about budgeting (for single women) and sexy clothing/makeup and stuff of that sort. My question is: why? If you're going to focus so much on fitness, make this a more hardcore magazine for true athletic women and cut-out all the celebrity nonsense and Cosmo-wannabe articles.

I never really read any of the articles in this magazine. I mean, how much more boring can it get to read about the perfect lunges or push-ups without getting a bit droll? This is the sort of magazine I rush through and can't seem to get rid of fast enough. Maybe it's just me, but who needs to read about the perfect set of ab exercises over and over again? Is everyone out there really that superficial? And like I said before, the magazine seems to be superficial when it comes to fitness too. True fitness should be mind, body, and soul, not just having tight abs and expensive fashion and makeup. Having a nice set of a particular muscle group isn't necessarily healthy or good fitness either. ...



Rating: 5 out of 5 stars - My favorite magazine
Reading this makes me feel like I am doing something for my health. Great articles, good information. This is my favorite magazine.



Rating: 1 out of 5 stars - Still not received
* I have ordered and paid for this magazine yet still have not seen any subscriptions. I am very disappointed as I also order Glamour the same day and have already received two different months. Not sure where Self is going wrong but they need to model their turnaround time for new orders similar to Glamour. ...



Rating: 3 out of 5 stars - Okay
The real life story it has is a little gruesome, (with pics of woman who lost her breast to dieting, bloody and sewed up nipples.... eek!)

I like something more inspiring. There's a few, (very few) fitness stuff and the fashion pics--can't really wear that in public, looks better on the runway.

(1-year) Self




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Set in Saudi Arabia, The Kingdom is a political action thriller with good acting and wonderful visuals. Its so-so script, though, at times meanders aimlessly until a good explosion jolts the viewer's attention back to the screen. Jamie Foxx stars as FBI special agent Ronald Fleury, who leads an elite team into Saudi Arabia to find the terrorists who attacked American employees working in the Middle East. He has been given the unlikely deadline of five days to infiltrate the compound, with just his wit and his crew, which includes forensics expert Janet Mayes (Jennifer Garner), explosives guru Grant Sykes (Chris Cooper), and intelligence analyst Adam Leavitt (Jason Bateman). It's unclear how helpful smarmy U.S. diplomat Damon Schmidt (Jeremy Piven) will be, but Fleury knows enough to surmise that the media-hungry Schmidt might not be completely trustworthy. Foxx and Garner have wonderful screen presence, but it's Bateman and Piven who get the best lines. Director Peter Berg peppers The Kingdom with actors he has worked with in the past. Berg, who guest-starred on Alias opposite Garner, casts Tim McGraw in a small role here. (The country singer also had a co-starring role in Berg's 2004 film Friday Night Lights.) And Kyle Chandler and Minka Kelly--two of Berg's lead actors from the Friday Night Lights television series, , make appearances in The Kingdom. The action sequences he creates are impressive and generate a sense of panic that The Kingdom producer Michael Mann (Miami Vice) undoubtedly applauds. While a tauter script would've rounded out the action nicely, the action in many cases does speak for itself. --Jae-Ha Kim
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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

Marie opens the show with an outdoor rendition of "We Need a Little Christmas" and then moves into the studio where Kirk Cameron arrives on a snowmobile (fresh from rescuing a trio of blonde snow bunnies) to read "The First Christmas Story." Lee Greenwood performs "Christmas to Christmas" and later a duet with Marie. "It's Beginning to Look a Lot Like Christmas" is sung by Sally Struthers and daughter with help from the Osmond Boys--six stepping stones ages 4 to 12 who have the senior Osmonds' moves down pat. The adorable award, though, goes to Marie's 5-year-old son, Steven, who performs a rockin' version of "Santa Claus Is Comin' to Town" (clapping on the off-beat nearly the whole song).

Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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Self (1-year)
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