American Girl

Magazines : American Girl

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American Girl

from: Pleasant Company




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Availability: Usually ships in 2 to 4 months

List Price: $27.00
Your Price: $22.95
You Save: $4.05 (15%)
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Average Rating:  out of 5 stars
Sales Rank: 29







Binding: Magazine
First Issue Lead Time: 12-16 weeks
Format: Magazine Subscription
Issues Per Year: 6
Label: Pleasant Company
Magazine Type: Trade magazine
Manufacturer: Pleasant Company
Number Of Issues: 6
Publisher: Pleasant Company
Sales Rank: 29
Studio: Pleasant Company
Subscription Length: 365 days




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Editorial Review:

Product Description:
Created especially for girls age 8 and up, American Girl is an appealing, age-appropriate alternative to teen magazines. Features advice, crafts, contests, puzzles, games, giggles, and more!









Availability: Usually ships in 2 to 4 months


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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Awesome AG Magazine!
I have the Dec. Issue (awesome!). I has a cute seal poster and how to make these little polar bears and penguins that taste like peppermint. There is also a mealtime quiz and is really fun. I like it a lot.



Rating: 5 out of 5 stars - Awesome AG Magazine!
* I have the Dec. Issue (awesome!). I has a cute seal poster and how to make these little polar bears and penguins that taste like peppermint. There is also a mealtime quiz and is really fun. I like it a lot. ...



Rating: 5 out of 5 stars - Great, appropriate reading
I subscribed to this magazine from around age 7 to age 12, and also got my hands on many back issues during that time.

It is a wonderful, advertising-free magazine with everything from advice, to crafts, to parties (yes, they are kind of heavy on that).

They oftentimes offer excerpts form books from American Girl Press - but they are excerpts which are useful in their own right, not just getting you to buy the book. They are such things as a few crafts out a a craft book, a quiz or two from a quiz book, and that sort of thing. I also highly recommend these books, but that is beside the point.

They interview a lot of girls in special circumstances or doing good for their community, anything from girls to volunteer to girls who were adopted and talk about that, to disabled girls. The stories are always age-appropriate and try to inspire readers to do good fir their world.

They also have much advice on a variety of subjects, from things that readers write in to advice from the writers. They cover such topics as difficult friendships, moving, braces, school trouble, pets, whatever - all kinds of relevant issues.

They also offer advice on things to do - they often have themed 'parties' where they offer activities, food, etc. for fun slumber parties. While I never threw one of these elaborate extravaganzas, much of it can be adapted for girls having fun with friends or family. They also offer crafts, recipes, and the like for other things to do.

When I got the magazine, I can count on one hand the number of celebrity interviews there were, and they were always short and not the focus of the magazine.

Also, there are always short fictional stories, contests, reader letters, and miscellaneous things, perfect for most preteen and slightly younger girls.

It is a very white magazine, though. Although they certainly make an effort to choose diverse models and the like, it still comes off very white.

The art is gorgeous, and I highly recommend this.



Rating: 1 out of 5 stars - American Girl Magazine
* I would like to give you a review of this magazine, but I ordered it July 13, 2008, and am told I will not receive it until NOVEMBER 2008! ...



Rating: 4 out of 5 stars - haven't gotten it yet
Haven't gotten this subscription yet. Apparently it takes about 6 weeks to get. We've gotten this magazine before and my girls love it. Very clean and age appropriate.

Girl American


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Contents of our current issue, including Feature Articles, Editorial, Columns, News, News Briefs, Product and Literature Announcements, and Applications.





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Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

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Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
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What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

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The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman
American Girl
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